Razorhurst: A Sharp Musical about Savvy Survivors

0
790

Razorhurst. Photo: Christopher Drukker
This is the story about two crime bosses, one purveys illicit booze and drugs, the other oversees 27 brothels.

Their legions fought each other with razor blades. Blood flowed in the streets of Sydney, Australia.

These legendary rivals were both women and their story is true.

You’ll have a raucous good time at Razorhurst, Luna Stage’s two-women musical running until March 4. The story is about Kate Leigh and Tilly Devine, two girls born into poverty, who thanks to their guile, rose to the heights of the Sydney underworld from the mid 1920s until the beginning of World War II.


Catherine Fries Vaughn as Kate Leigh (left) and Claire McClanahan as Tilly Devine. Photo: Christopher Drukker.

The show is an imaginary reunion of Kate and Tilly in one of their old haunts, now owned by Tilly’s great, grandson. Kate Leigh, played with pluck by Catherine Fries Vaughn, starts the musical by singing about how she rose from a poor farm girl to master of the “sly grog” trade in Sydney. After World War I Australia passed a law prohibiting the consumption of alcohol after 6 p.m. Kate capitalized on that by buying liquor from hotels and reselling it after hours. Crimeboss John Gotti sported tailored suits. Kate Leigh wears a wide-brimmed sun hat, conservative dress and a stole. She carries a pistol in her purse. Kate sings about being the “best woman in Sydney” because she threw Christmas parties for the local kids.

Tilly, played winningly by Claire McClanahan, is brash and bawdy. She sings about being born on the West End of London and surviving because of her ability to persuade men to “dip their quill in her ink well.” Tilly meets her husband Jim Devine in London and they move to Sydney where Tilly uses her “tits and wits” to build an empire of brothels.

Claire McClanahan (left) as Tilly Devine; Catherine Fries Vaughn as Kate Leigh. Photo: Christopher Drukker.

Greed and a power struggle, fueled by sensational new stories, drove these women to clash.

Librettist Kate Mulley has a knack for spinning fun yarns with her lyrics, painting colorful pictures of these powerful, yet flawed women. Music director Andy Peterson mixes jazz and ragtime to give the musical a period flavor without sounding dated. Throughout the play Fries Vaughn and McClanahan verbally thrust and parry each other. They fill the sparse stage with their characters’ huge personalities.

Later we see both women betrayed. The actors take us past the bluster to reveal the vulnerable sides of these characters. Yet despite the heartbreak, Kate and Tilly carry on because they are strong, smart and “savvy as f***.”

Here are the details:

Razorhurst
On stage until March 4
Luna Stage, 555 Valley Road, West Orange

Tickets: $32-37, available online at lunastage.com.

Newsletter, Monthly Events, Special Features, Breaking News and More:

Get once-daily headlines, a monthly events calendar, and occasional special features and breaking news in your inbox.

Baristanet Comment Policy:

Baristanet has specific guidelines for commenting. To avoid having your comment deleted -- or your commenting privileges revoked -- read this before you comment. Violators will be banned from commenting.

Report a comment that violates the guidelines to com[email protected] For trouble with registration or commenting, write to [email protected]

Commenters on Baristanet.com are responsible for all legal consequences arising from their comments, including libel, infringement of copyright or actions that threaten a third party. By submitting a comment, you agree to indemnify Baristanet LLC, its partners and employees from any legal action arising from your comments.

In order to comment on the new system, you need to register a new Baristanet account. To get your own avatar next to your comments, sign up at Gravatar.com